Art in crates | NOVEMBER 24
Had Austria’s history taken a normal course, Hanna Spitzer, a private teacher, would probably have stayed in Vienna and grown old there as a respected member of society. As a daughter of the late jurist and patron of the arts, Dr. Alfred Spitzer, she was co-heir to a major art collection comprising works by such greats as Kokoschka and Slevogt. Egon Schiele was represented too – among other works, with a portrait of Alfred Spitzer, who had been his sponsor and lawyer, and later his estate trustee. But the flood of anti-Semitic measures which had been unleashed by the “Anschluss” (the annexation of Austria to Nazi Germany) made it unbearable and dangerous to stay: this copy of a tax clearance certificate dated November 24, 1938 testifies to Hanna Spitzer’s efforts to gather the papers required for emigration. Already in January, she had arranged for the shipping of 11 containers of household effects and paintings to Melbourne and a delivery to the address of her sister, Edith Naumann, in Haifa.
A full-time job | SEPTEMBER 8
In her short life, Hilde Lachmann-Mosse already had a few relocations behind her. The 26-year-old grew up in Berlin. Other stops were Woodbrooke in Great Britain (school), Freiburg (studies in medicine) and Basel (medical doctorate). Now she was facing another move: to the United States. She had already had the certificate of employment regarding her time as an assistant gynecologist at the university hospital in Basel translated into English, although that was only one step of many. Even if the actual certificate is only a few lines long, the three stamps of authentication from various institutions is evidence of how many appointments with authorities must have been necessary for Hilde Lachmann-Mosse finally to hold this document in her hands.